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A Rant on Music and Apple

The Pick

I recently read an article by Maddox of The Best Page in the Universe.  He made a particularly interesting article recently about Mac users and how annoying he thought they were.  I've been at odds with Maddox on a number of his articles, but he really hit the nail on the head with this one.  It lead to a discussion I had with RJ45, concerning Macs, their sterotypical clientele, and the popular "culture" created by the Mac and its associated products.

Here is a quote from the article:

What is it about Apple that makes its users unable to shut their mouths? Everywhere I go, there's another asshole with a Mac preaching about how much better Macs are than PCs. They regurgitate lines directly from Apple's marketing campaign, like "it just works."

The conversation that we had started with a question I got from a real-live Mac user, which went something like "Well you're a musician, why don't YOU have a Mac?"  This really chafed my ass for a number of reasons, which I will outline in no particular order:

     1.)  The basic assumption that musicians of this era must have a Mac in order to allow their creativity to blossom is just ridiculous. 

I've been working with a PC for all of my creative endeavors, including video editing, audio editing, the mastering and releasing of two self-produced albums, and the production of 3D photos. 

I would venture to say that I've done a higher quality of work on a PC than than a good chunk of the hacks touting the brilliance of the Mac, which leads me to my next point:

     2.)  Every attention-starved idiot with a Mac and a guitar thinks he's a rockstar.  I've heard more Youtube and MySpace wannabe's posting what we in the biz refer to as "absolute tripe" via their oh-so-easy-to-use Garage Band software.

While I don't immediately have a complaint about the ease of use of media software like Garage Band, the fact that it makes a Mac an instant outlet for poorly thought out, poorly written, and poorly sung songs is inexcusable.

The idea behind producing a song worth listening to is letting it flesh out, polishing it up, and making it great BEFORE you commit it to .wav or .mp3.  To its credit, the Mac caters to the instant-gratification, disposable culture that we Americans tend to love so much, but the fact that (thanks to the good ol' Mac) you have to wade through endless bullshit to find something worth listening to on MySpace really defeats the idea of sharing music.  Thanks, Steve Jobs, for giving shitty musicians enough rope to hang themselves, except in this analogy we're all left to smell the festering corpses from now until evermore.  Asshole.

     3.)  It sets a dangerous precedent to exclude artists from the status of "true musician" because they don't have a Mac.

The thing about this is, I bet you that I can list off a few brilliant musicians who were never aided by a Macintosh in order to create their music that has been listened to and enjoyed by millions:

 

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<p>This precedent excludes from validity EVERY SINGLE MUSICIAN BEFORE THE MID-EIGHTIES, which strikes me as something equally arrogant and stupid.  </p>
<p>The funny thing is, using a Mac would not even approach making me marketable as a popular musician:  I'm fat, I have a buzzed head, my beard is nice and trimmed, I wear cowboy hats, and I'm transparent-white and covered with body hair.  Please explain to me how using a Mac would suddenly give me credibility as a musician.  </p>
<p>Oh, wait, here's an idea:  perhaps, just perhaps, the thing that makes me a credible musician is (drum roll, please) MY ABILITY TO PLAY MUSICAL INSTRUMENTS FOR THE DELIGHT OF MYSELF AND THOSE AROUND ME!?  ....WELL!?  ...Nah, it doesn't have a lower-case "i" tacked on to the front of it.  Which reminds me... </p>
<p>On top of alll that, the highly-accessorized "culture" of the Mac includes one of the least cost-effiicent MP3 players ever made: the iPod.  While I have nothing against an MP3 player with an idiot-proof interface, the ubiquity of the iPod has set that as the gold standard, which means from the cheapest of the cheap to the stupid-expensive (read: iPod) share the same or similar interfaces.  </p>
<p>So the iPod was the first to do it; good for them.  Is it worth the extra $75?  Well, if you want "elegance," "a good name-brand," "the popular choice," or any of a number of vacuous qualities, then yes, it's worth it.  If you're not a huge fan of wasting money, join myself and other smart consumers by buying a 3rd-party player, like the Creative Zen series.  And don't give me any shit about not having enough custom accessories, because it's bullshit.  </p>
<p>Sure, you can't buy them at the 7-11 for 20% more than what you'd pay at Wal-Mart, but if you're hung up on paying extra for the MP3 player, you're probably hung up on paying extra for accessories at gas stations too, along with novelty cigarette lighters and plaster indian sculptures. </p>
<p>So take your damned Macs and shove them up your pretentious iAssholes, along with your cute accessories.  If this is what it takes to be a musician or an artist today, allow me to quote songwriter Ricky Nelson when I say "I'd rather drive a truck."  ... And allow me to add "into a fucking brick wall, allowing me to mercifully hemorrhage and die."  If that's what an artist is, then fuck art, let me get a factory job. </p>
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